When I think about the writing skills of the students in my
classroom, there is one thing that is particularly apparent to me. Many of the students in the classroom lack an
ability to write independent from exact instruction. Many students can write
well, but almost everyone seems to need to know exactly what the instructor
wants. This is not a bad quality, per say, since we all know that the ability to
follow instructions is certainly a useful life skill. However, there is a
certain independence that is lacking from the classroom. Students are afraid to
create, so instead, they mimic. The problem is, great writing – even if it only
takes place in the form of an email or Facebook post – never sounds mimicked. I
think teachers can be partially responsible for these tendencies to mimic
(sometimes).
For example, in most high school writing classes, students
are taught to avoid clichés. They are told a cliché is something that has been
done before, it’s old and tired, so don’t do it anymore. Essentially, they
are told to mimic an idea which tells them not to mimic. Off the top of my
head, I can think of many songwriters and great authors who loved clichés
(Ernest Hemmingway, Modest Mouse). The difference is they attached these clichés
to intentional, independent thought. Perhaps a better process for teaching
would be to say “Hey, look how dumb this cliché looks in this situation. Don’t
use a cliché like this.” This process teaches people to use their own judgment
in assessing whether or not their response is appropriate for a particular
situation. I think we should teach students to be aware of clichés, and be aware
of similar habits, in order to make sure that they are used intentionally if they are
used at all.
While I don’t think clichés are even close to one of the
most important aspects of writing, they are an example of something that is
often taught matter-of-factly, when in reality, there is no standard for them
whatsoever. We should teach students to identify and think about these things.
Repetition is another example of a misguided approach to rid bad writing from
our classrooms. The thing is, repetition can either add emphasis or sound
redundant, depending on how it is used. We need to teach students to recognize
these things and think about them, not to scan their paper and count to see if they
used the word “I” too much. There is no mathematical equation
which can tell a person the appropriate amount of times to use the first person in a
paper. Essentially, the question I’m asking is – “How can us teachers get
students to approach writing as an independent and creative process?”
I think that peer editing is a great way to begin the adventure
of independent writing and thinking. When scanning the work of a peer, one has
to think about what they are doing wrong. It’s too intimidating to approach
mistakes in the writings of professionals or teachers when you’re still a blossoming writer. I
think that students can analyze writing from their peers much easier than they
can analyze their own writing or the writing of professionals. Pertaining to this system of communication, Bomer says:
“To talk is to negotiate socially, and the teacher’s
presence makes much of that negotiation optional. If the adult will save the
social situation and rescue the conversation, then the students are not
positioned to take responsibility for their interactions. They may be learning
to be students but they are not learning to create conversations” (2011, p.
140)
I think this well represents my own views toward student
interaction in the classroom, and I think that class proofreading is a great
way to make students interact with one another in a relevant scenario. Smagorinsky
says that “. . .students benefit from feedback as they work, rather than just
at the end” (2008, p.96). Peer review helps accomplish this without overly
exhausting a teacher who might have ninety papers to grade.
I recently taught a lesson on proofreading to my class, and
here are a few things I noted as important to my lesson. Take a gander if you
feel like hearin’ me out.
1. Introduce the idea that errors marked by peers
(or anyone), at the end of the day, are suggestions. When you turn in a resumé or
cover letter to someone who you are applying a job from, there are two
outcomes. Either you get the job or you don’t. Nobody comes back to you and
says, “Hey put a couple commas here and there, get rid of that cliché and
you’re hired”. Proper grammar represents you and your abilities.
Nonetheless, let the students know writing
is something that nobody has a pin point on, you just do the best you can and
think about what you’re doing and saying. Teachers must grade these things, so
we have to decide what good writing is. In reality, it’s all a notion. A notion
that represents you. (sentence fragment)
2. Encourage the marking of papers. Make students
work with a pen in hand. Encourage discussion along side/after proofreading. Grant
students time for this in between papers. We want people making marks, but it
might be more important to hear peer to peer explanations of each mark. This
helps learning on both ends.
3. NO HARD FEELINGS. Explain to students that everyone
is trying to help everyone get a better grade. No one is to grade in malice.
Criticism is hard to take, but those who can take it well exemplify maturity.
Let them know this. I think most students will not get their feelings hurt if
they consciously think about the fact that everyone is marking up everyone’s
paper.
Bomer, R. (2011). Building adolescent literacy in
today's English classrooms. Portsmouth, NH: Heinemann.
Smagorinsky, P. (2008). Teaching English by design: how to
create and carry out instructional units. Portsmouth, NH: Heinemann.
Brian,
ReplyDeleteThe way in which we almost program our students to mimic rather than to create independently something that I have thought a lot about as well. Actually, I am presenting a lecture and workshop that is closely related to this topic during the KATE conference. Maybe you can join the group and offer some valuable input during our workshop? You certainly have some good ideas and very valid questions here.
I think the best answer that I can give to your question is that students are going to emulate us and the written and spoken world around them. Mimicry is a fundamental part of the human learning process, and it should not be discouraged—at first. After all, so much of who we become is developed from learned behaviors through the observation of the world around us. My goal for the students in my classroom will be to provide them with many different writing styles in which to first mimic, and then to encourage them to begin selecting which kinds of writing and literary devices they identify with and enjoy working with the most. The more varied experiences they have with literature, the large their literary tool kits will become.
When my husband and I taught our children to transition from eating with their fingers to using a spoon, we didn’t just give them a spoon and say, “Okay, eat!” -–Well, okay we did that, but it was purely for our own entertainment. When we really got down to business, there were important steps involved. These steps began with observation, assisted mimicking, followed by lots and lots of messy practice; that eventually lead to independent processes.
I guess what I am saying is that students need to observe our modeled behaviors with many kinds of writing, then receive guided assistance as they begin to mimic these writing style, and finally have multiple opportunities for practice before they can begin to write independently. It is up to us to decide when we think they are ready to begin holding the spoon themselves, and it is okay for them to get messy in the process.
I agree with Smagorinsky that “students benefit from feedback as they work, rather than just at the end” (2008, p.96), and I think that peer editing is an important part of the emulation and practice that students need in order to become independent writers. However, I also think that students need to hear just as much feedback from us. They need to be reassured that they are on the right track as they begin to stretch their wings and try on new kinds of writing. Perhaps one effective way to create these opportunities is to provide a higher number of short writings; where we can ensure that we have the time to the individual attention that they need. Peer editing could be useful for larger writing assignments during the drafting and revision period.
“1. Proper grammar represents you and your abilities. Nonetheless, let the students know writing is something that nobody has a pin point on, you just do the best you can and think about what you’re doing and saying. Teachers must grade these things, so we have to decide what good writing is. In reality, it’s all a notion. A notion that represents you. (sentence fragment)” –-I LOVE this! I think that it can be difficult for teachers to provide the right balance of importance when explaining and even maintaining expectations for students. We don’t want to discourage them from writing out of fear of making a mistake, but we do want to create a desire for good writing as well.
Great post Brian!
Thanks so much Megan, I should have gotten around to reading this response sooner. I'm a bad blogger. I totally agree with your insight on this matter. I'm flattered you liked my writing and I hope I can keep it up in the future. I like what you said about the line (or lack there of) between mimicking and the creative process. Perhaps it's not so cut and dry, creating is mimicking to some extent. After all, the Ancient Greeks already did everything.
DeleteI agree with Megan ... great post! Lots of ideas to consider and digest.
ReplyDeleteTwo of my favorite gems ...
"While I don’t think clichés are even close to one of the most important aspects of writing, they are an example of something that is often taught matter-of-factly, when in reality, there is no standard for them whatsoever. We should teach students to identify and think about these things."
Yes.
"Essentially, the question I’m asking is – 'How can us teachers get students to approach writing as an independent and creative process?"
YES!
I also love that you're reading unassigned chapters in the text in order to engage in this inquiry. And your advice to students in your lesson is spot-on.
Your writing is publication-worthy, Brian. Let me know if you want some ideas for outlets for your writing to a broader audience.
Thank you so much.
Delete